USA
2020 108 mins
OV English
Sketchy delivery man Ray Tincelli (a memorable Dean Imperial) struggles to support himself and his ailing brother. After a series of dead-end hustles, he takes a job in a strange new realm of the gig economy: the “cabling” business, which involves an army of independent contractors with no benefits (of course) tasked with pulling miles of cable over treacherous terrain to connect the emerging, quantum-encoded trading market (a new technology set to revolutionize world finance for a fortunate few)! As Ray treks deeper and deeper into the forest, a bizarre work environment unfolds before his eyes: veteran cablers outwardly hostile to his username, robot rivals meant to increase productivity, and a bubbling workers’ insurgency that our lapsed delivery man might inadvertently be a crucial part of…
A chillingly pertinent tale, Noah Hutton follows activist documentaries DEEP TIME and CRUDE INDEPENDENCE (about fossil fuel and sustainability) with a striking fictional debut: a brilliant science-fictional skewering of the absurdity of contemporary capitalist practices. Hutton’s critique leaves no stones unturned, whether it’s the booming gig and sharing economies (think Uber or Airbnb); Big Pharma and its insidious regime of healthcare profiteering (where corporations profit off of avertable illnesses) or the increasing Silicon Valley-driven game-ification and app-ification of labour (the film itself smartly structured as a goal-oriented quest, in which Ray encounter a series of strange revelations). In the vein of BLACK MIRROR, LAPSIS is especially relevant to our current late-capitalist moment: a cautionary tale, not of the near-future, but of our all-too familiar, and utterly chilling present of increased inequality, corporate monopoly, faceless capital and deregulated labour. Speculative fiction at its most urgent. – Ariel Esteban Cayer